{"id":9371,"date":"2011-04-09T06:38:42","date_gmt":"2011-04-09T10:38:42","guid":{"rendered":"http:\/\/blog.wykontario.org\/?p=9371"},"modified":"2011-04-09T06:38:42","modified_gmt":"2011-04-09T10:38:42","slug":"au-fond-du-temple-saint-%e5%9c%a8%e8%81%96%e6%ae%bf%e6%b7%b1%e8%99%95","status":"publish","type":"post","link":"https:\/\/blog.wykontario.org\/?p=9371","title":{"rendered":"Au fond du temple saint \u5728\u8056\u6bbf\u6df1\u8655"},"content":{"rendered":"\n\n\n
<\/strong>
\nBaritone and tenor duet from <\/strong>Les p\u00eacheurs de perles<\/em> (The Pearl Fishers <\/em>\u63a1\u73e0\u6f01\u4eba), a French opera<\/a> in three acts by Georges Bizet<\/a>, to a libretto<\/a> by Eug\u00e8ne Cormon<\/a> and Michel Carr\u00e9<\/a>. <\/p>\n

Duet setup:<\/span> In the opening scene somewhere on the coast of Sri Lanka, Zungra (baritone) has just been elected leader of the fishers.\u00a0 Singing with his reconnected friend Nadir (tenor), they recall their long-ago quarrel over an attractive priestess, Leila, in the temple of Brahma.\u00a0 Believing they are now cured of their old infatuation, they swear their everlasting friendship.<\/p>\n

Renditions by:<\/span><\/p>\n

Jussi Bj\u00f6rling (Nadir) & Robert Merrill (Zurga) 1950 – http:\/\/www.youtube.com\/watch?v=9ekaMQP_Fwc<\/a><\/p>\n

Nicolai Gedda (Nadir) & Ernest Blanc (Zurga) 1961 \u2013<\/p>\n

http:\/\/www.youtube.com\/watch?v=tj_vTRVdUCI<\/a>\"\"<\/a><\/p>\n

<\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/strong><\/p>\n\n\n\n
 <\/p>\n

<\/strong><\/span><\/p>\n

ZURGA
\nC’\u00e9tait le soir!
\nDans l’air par la brise atti\u00e9di,
\nLes brahmines au front inond\u00e9 de lumi\u00e8re,
\nAppelaient lentement la foule \u00e0 la pri\u00e8re!<\/em><\/strong>
\n<\/strong>
\n<\/strong>NADIR<\/strong>
\n<\/strong>Au fond du temple saint
\nPar\u00e9 de fleurs et d’or,
\nUne femme appara\u00eet!<\/em><\/strong><\/span><\/p>\n


\n<\/strong>ZURGA<\/strong>
\n<\/strong>Une femme appara\u00eet!<\/em><\/strong><\/span><\/p>\n


\n<\/em><\/strong>NADIR
\nJe crois la voir encore!<\/em><\/strong><\/span><\/p>\n


\n<\/em><\/strong>ZURGA
\nJe crois la voir encore!<\/em><\/strong>
\n<\/em><\/strong>
\n<\/strong>NADIR<\/strong>
\n<\/strong>La foule prostern\u00e9e
\nLa regarde, etonn\u00e9e,
\nEt murmure tous bas:
\nVoyez, c’est la d\u00e9esse!
\nQui dans l’ombre se dresse
\nEt vers nous tend les bras!<\/em><\/strong>
\n<\/em><\/strong>
\n<\/strong>ZURGA<\/strong>
\n<\/strong>Son voile se soul\u00e8ve!
\n\u00d4 vision! \u00f4 r\u00eave!
\nLa foule est \u00e0 genoux!
\n<\/em><\/strong>
\n<\/strong>ZURGA & NADIR<\/strong>
\n<\/strong>Oui, c’est elle!
\nC’est la d\u00e9esse
\nplus charmante et plus belle!
\nOui, c’est elle!
\nC’est la d\u00e9esse
\nqui descend parmi nous!
\nSon voile se soul\u00e8ve et la foule est \u00e0 genoux!
\n<\/em><\/strong>
\n<\/strong>NADIR<\/strong>
\n<\/strong>Mais \u00e0 travers la foule
\nElle s’ouvre un passage!
\n<\/em><\/strong>
\n<\/strong>ZURGA<\/strong>
\n<\/strong>Son long voile d\u00e9j\u00e0
\nNous cache son visage!
\n<\/em><\/strong>
\n<\/strong>NADIR<\/strong>
\n<\/strong>Mon regard, h\u00e9las!
\nLa cherche en vain!
\n<\/em><\/strong>
\n<\/strong>ZURGA<\/strong>
\n<\/strong>Elle fuit!<\/em><\/strong> <\/strong><\/span><\/p>\n

<\/strong>NADIR<\/strong>
\n<\/strong>Elle fuit!
\nMais dans mon \u00e2me soudain
\nQuelle \u00e9trange ardeur s’allume!
\n<\/em><\/strong>
\n<\/strong>ZURGA<\/strong>
\nQuel feu nouveau me consume!<\/em><\/strong> <\/strong><\/span><\/p>\n

<\/strong>NADIR<\/strong>
\nTa main repousse ma main!
\n<\/em><\/strong>
\n<\/strong>ZURGA<\/strong>
\n<\/strong>Ta main repousse ma main!<\/em><\/strong> <\/strong><\/span><\/p>\n

<\/strong>NADIR<\/strong>
\n<\/em><\/strong>De nos c\u0153urs l’amour s’empare
\nEt nous change en ennemis!<\/em><\/strong>
\n<\/em><\/strong>
\n<\/strong>ZURGA<\/strong>
\n<\/em><\/strong>Non, que rien ne nous s\u00e9pare!<\/em><\/strong>
\n<\/em><\/strong>
\n<\/strong>NADIR<\/strong>
\n<\/em><\/strong>Non, rien!<\/em><\/strong>
\n<\/em><\/strong>
\n<\/strong>ZURGA
\n<\/em><\/strong>Que rien ne nous s\u00e9pare!<\/em><\/strong>
\n<\/em><\/strong>
\n<\/strong>NADIR
\n<\/em><\/strong>Non, rien!<\/em><\/strong>
\n<\/em><\/strong>
\n<\/strong>ZURGA<\/strong>
\n<\/em><\/strong>Jurons de rester amis!<\/em><\/strong> <\/strong><\/span><\/p>\n


\n<\/strong>NADIR
\nJurons de rester amis!<\/em><\/strong> <\/em><\/strong><\/span><\/p>\n


\n<\/strong>ZURGA<\/strong>
\n<\/em><\/strong>Jurons de rester amis!<\/em><\/strong> <\/strong><\/span><\/p>\n

<\/strong>ZURGA & NADIR
\n<\/em><\/strong>Oh oui, jurons de rester amis!
\nOui, c’est elle! C’est la d\u00e9esse!
\nEn ce jour qui vient nous unir,
\nEt fid\u00e8le \u00e0 ma promesse,
\nComme un fr\u00e8re je veux te ch\u00e9rir!
\nC’est elle, c’est la d\u00e9esse
\nQui vient en ce jour nous unir!
\nOui, partageons le m\u00eame sort,
\nSoyons unis jusqu’\u00e0 la mort!<\/em><\/strong><\/span> <\/strong><\/td>\n

Tr. <\/em>YK Chan<\/em> \u9673\u8000\u570b\u8b6f <\/p>\n

<\/strong><\/p>\n

<\/strong><\/p>\n

\u8212\u723e\u683c<\/strong>
\n<\/strong>\u90a3\u662f\u5728\u4e00\u500b\u665a\u4e0a\uff01
\n\u88ab\u8f15\u98a8\u51b7\u5374\u7684\u7a7a\u6c23\u4e2d\uff0c<\/p>\n

\u7ea2\u5149\u6eff\u9762\u7684\u68b5\u5929\u6559\u5f92\uff0c
\n<\/strong>\u7f13\u6162\u5730\u547c\u559a\u7fa3\u773e\u4f86\u7948\u79b1\uff01 <\/strong><\/p>\n

<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u5728\u8056\u6bbf\u6df1\u8655\uff0c
\n<\/strong>\u6709\u9bae\u82b1\u548c\u91d1\u98fe\u7684\u64fa\u8a2d\uff0c
\n<\/strong>\u4e00\u500b\u5973\u4eba\u51fa\u73b0\u4e86\uff01
\n\u8212\u723e\u683c<\/strong>
\n<\/strong>\u4e00\u500b\u5973\u4eba\u51fa\u73b0\u4e86\uff01 <\/strong><\/p>\n


\n<\/strong>\u62ff\u8fea\u723e
\n<\/strong>\u6211\u4ecd\u80fd\u770b\u898b\u5979\uff01<\/p>\n


\n\u8212\u723e\u683c
\n<\/strong>\u6211\u4ecd\u80fd\u770b\u898b\u5979\uff01 <\/strong><\/p>\n

<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u90a3\u4f0f\u5730\u7684\u4eba\u7fa3
\n<\/strong>\u8a6b\u7570\u5730\u671b\u7740\u5979\uff0c
\n\u5728\u6c23\u606f\u4e2d\u7ec6\u8a9e\uff1a
\n<\/strong>\u77a7\uff0c\u5979\u662f\u500b\u5973\u795e\uff01
\n<\/strong>\u5728\u5f71\u5b50\u88e1\u8feb\u8fd1
\n<\/strong>\u671d\u5411\u6211\u5011\u5f20\u81c2\u3002 <\/strong><\/p>\n

<\/strong><\/p>\n


\n<\/strong>\u8212\u723e\u683c
\n<\/strong>\u5979\u7684\u81c9\u7d17\u5fae\u958b\u3002
\n<\/strong>\u771f\u662f\u500b\u666f\u8c61\uff01\u771f\u662f\u500b\u5e7b\u5922\uff01
\n<\/strong>\u4eba\u7fa3\u90fd\u4e0b\u8106\u3002 <\/strong><\/p>\n

\u8212\u723e\u683c\u4e0e\u62ff\u8fea\u723e
\n<\/strong>\u662f\u7684\uff0c\u90a3\u5c31\u662f\u5979\uff0c
\n\u90a3\u5c31\u662f\u5973\u795e\uff0c
\n<\/strong>\u66f4\u8ff7\u4eba\u4e5f\u66f4\u6f02\u4eae\uff01
\n<\/strong>\u662f\u7684\uff0c\u90a3\u5c31\u662f\u5979\uff0c
\n\u90a3\u5c31\u662f\u5973\u795e\uff0c
\n<\/strong>\u4e0b\u51e1\u5728\u6211\u5011\u4e4b\u4e2d\u3002
\n<\/strong>\u5979\u7684\u81c9\u7d17\u6253\u958b\uff0c\u4eba\u7fa3\u90fd\u4e0b\u8106\u3002 <\/strong><\/p>\n

<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u4f46\u5979\u5728\u4eba\u7fa3\u4e2d
\n\u958b\u8def\u901a\u904e\u3002
\n
\n<\/strong>\u8212\u723e\u683c<\/strong>
\n<\/strong>\u5979\u7684\u9577\u81c9\u7eb1\u5df2
\n<\/strong>\u9694\u7740\u6211\u5011\u9690\u85cf\u5979\u7684\u9762\u5b54\uff01 <\/strong><\/p>\n

<\/strong>\u62ff\u8fea\u723e
\n<\/strong>\u54ce\uff0c\u6211\u7684\u773c\u775b\uff01
\n<\/strong>\u7121\u6cd5\u5c0b\u7740\u5979\uff01
\n<\/strong>
\n<\/strong>\u8212\u723e\u683c<\/strong>
\n<\/strong>\u5979\u8dd1\u6389\u5566\uff01
\n
\n<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u5979\u8dd1\u6389\u5566\uff01
\n<\/strong>\u4f46\u662f\u7a81\u7136\u628a\u6211\u7684\u7075\u9b42
\n\u70b9\u7740\u662f\u4ec0\u4e48\u5947\u602a\u7684\u706b\u7130\uff01 <\/strong><\/p>\n


\n<\/strong>\u8212\u723e\u683c<\/strong>
\n<\/strong>\u662f\u4ec0\u4e48\u83ab\u660e\u7684\u706b\u7130\u4f54\u64da\u4e86\u6211?<\/p>\n


\n<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u4f60\u7684\u624b\u628a\u6211\u7684\u624b\u63a8\u8d70\uff01
\n<\/strong>
\n<\/strong>\u8212\u723e\u683c<\/strong>
\n<\/strong>\u4f60\u7684\u624b\u628a\u6211\u7684\u624b\u63a8\u8d70\uff01 <\/strong><\/p>\n

<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u7231\u60c5\u4fb5\u8fdb\u6211\u4eec\u7684\u5fc3
\n\u628a\u6211\u4eec\u53d8\u6210\u654c\u4eba\uff01
\n
\n<\/strong>\u8212\u723e\u683c<\/strong>
\n<\/strong>\u4e0d\u6210, \u00a0\u6ca1\u6709\u4ec0\u4e48\u53ef\u4ee5\u79bb\u95f4\u6211\u4eec\uff01 <\/strong><\/p>\n

<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u4e0d\u6210, \u4ec0\u4e48\u90fd\u4e0d\u53ef\u4ee5\uff01 <\/strong><\/p>\n

<\/strong>\u8212\u723e\u683c<\/strong>
\n<\/strong>\u4ec0\u4e48\u90fd\u4e0d\u53ef\u4ee5\u53ef\u4ee5\u79bb\u95f4\u6211\u4eec\uff01 <\/strong><\/p>\n

<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u4ec0\u4e48\u90fd\u4e0d\u53ef\u4ee5\uff01 <\/strong><\/p>\n

<\/strong>\u8212\u723e\u683c<\/strong>
\n<\/strong>\u8ba9\u6211\u4eec\u53d1\u8a93\u6210\u6c38\u4e45\u670b\u53cb\uff01<\/p>\n


\n<\/strong>\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u8ba9\u6211\u4eec\u53d1\u8a93\u6210\u6c38\u4e45\u670b\u53cb\uff01 <\/strong><\/p>\n


\n<\/strong>\u8212\u723e\u683c<\/strong>
\n<\/strong>\u8ba9\u6211\u4eec\u53d1\u8a93\u6210\u6c38\u4e45\u670b\u53cb\uff01 <\/strong><\/p>\n

<\/strong>\u8212\u723e\u683c\u4e0e\u62ff\u8fea\u723e<\/strong>
\n<\/strong>\u662f\u7684, \u8ba9\u6211\u4eec\u53d1\u8a93\u6210\u6c38\u4e45\u670b\u53cb\uff01
\n<\/strong>\u662f\u7684, \u5979\u662f\u90a3\u4e2a\u5973\u795e,
\n<\/strong>\u5979\u73b0\u5728\u6765\u56e2\u7ed3\u6211\u4eec\u3002
\n<\/strong>\u5e76\u4e14, \u6211\u5fe0\u8bda\u9075\u5b88\u6211\u7684\u8bfa\u8a00,
\n\u6211\u613f\u4f60\u5982\u6211\u7684\u5144\u5f1f\u822c\u73cd\u60dc\u4f60\uff01
\n<\/strong>\u5979\u662f\u90a3\u4e2a\u5973\u795e,<\/p>\n

\u5979\u73b0\u5728\u6765\u56e2\u7ed3\u6211\u4eec\u3002
\n<\/strong>\u662f\u7684, \u8ba9\u6211\u4eec\u540c\u4eab\u4e00\u4e2a\u547d\u8fd0,
\n\u8ba9\u6211\u4eec\u56e2\u7ed3\u81f3\u6b7b\uff01 <\/strong><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Baritone and tenor duet from Les p\u00eacheurs de perles (The Pearl Fishers \u63a1\u73e0\u6f01\u4eba), a French opera in three acts by Georges Bizet, to a libretto by Eug\u00e8ne Cormon and Michel Carr\u00e9.  Duet setup: In the opening scene somewhere on the … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[43,3],"tags":[84],"class_list":["post-9371","post","type-post","status-publish","format-standard","hentry","category-miscellaneous","category-poems","tag-ykchan"],"_links":{"self":[{"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=\/wp\/v2\/posts\/9371","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9371"}],"version-history":[{"count":14,"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=\/wp\/v2\/posts\/9371\/revisions"}],"predecessor-version":[{"id":9386,"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=\/wp\/v2\/posts\/9371\/revisions\/9386"}],"wp:attachment":[{"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9371"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9371"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.wykontario.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9371"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}